Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Athene Galiciadis, Stillleben (Intervalle, Birne und Gefässe), 2020, oil and acrylic on canvas, 183 cm 160 cm

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Alberto Finelli & Evyenia Gennadiou, Ribattuto I, 2020, mixed media print on paper, 105.3 x 79.4 cm

Athene Galiciadis, Empty Sculptures (Chocolate and Strawberry), 2015, acrylics on ceramic, ca. 50 x 50 x 50 cm

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Nathalie Du Pasquier, Big City, 2019, huile sur toile, 150 x 150 cm. Courtesy Pace Gallery

Peter Halley, Nothing Personal, 1997, acrylique, acrylique métallique, acrylique nacrée et Roll-a-Tex sur toile, 224 x 137 cm

Max Bill, Vierfarbirger Rythmus (Rythme à quatre couleurs), 1980, oil on canvas, 41 x 41 cm

Athene Galiciadis, Intervals, 2018/19, oil on canvas, 183 x 151.5 cm

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Waseem Ahmed, Untitled, 2020, acrylic and silver leaf on canvas, 183 x 183 cm

Waseem Ahmed, Untitled, 2020, acrylic and silver leaf on canvas, 91.8 x 61.3 cm

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Alberto Finelli & Evyenia Gennadiou, Ribattuto II, 2020, mixed media print on paper, 28.2 x 21.6 cm

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Klaus Staudt, Abweichung (Déviation), 2000, wood, dispersion paint, acrylic paint, Plexiglas 017, 100 x 100 x 4.8 cm

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Installation view: That's the Way It Is. Digressions on Geometric Abstraction, Gowen Contemporary, Geneva, 2020

Klaus Staudt, Auflagenobjekt, 1971, polystyrene white, Plexiglas transparent grey-blue 882, 40 x 40 x 5.5 cm

Klaus Staudt, Täuschung (Illusion), 1961, wood, white dispersion paint, 41 x 53 x 3,5 cm

Left: Nathalie Du Pasquier, The strange order of things 2, 2017-2019, hand painted case containing drawing, two prints and books, 32.5 x 23.5 x 5.5 cm, Ed. 4 of 5 (left), Ed. 5 of 5 (right). Courtesy Pace Gallery.