Installation view: Corps ou âme, Gowen Contemporary, Geneva, 2019. Works by Ayana V. Jackson

Ayana V. Jackson The Becoming Subject, from To Kill or Allow to Live series, 2016, pigment print on Hahnemühle, 100 x 100 cm, Edition of 8

Installation view: Corps ou âme, Gowen Contemporary, Geneva, 2019. Works by Ayana V. Jackson

Installation view: Corps ou âme, Gowen Contemporary, Geneva, 2019. Works by Ayana V. Jackson

Installation view: Corps ou âme, Gowen Contemporary, Geneva, 2019. Works by Ayana V. Jackson and Tom Wesselmann

Ayana V. Jackson, Tignon from The Becoming Subject series, 2015, pigment print on Hahnemühle, 104 x 80 cm, Edition of 8

Ayana V. Jackson, Anarcha, from Intimate Justice series, 2017, pigment print on Hahnemühle, 100 x 70 cm, Edition of 8

Installation view: Corps ou âme, Gowen Contemporary, Geneva, 2019. Works by Carine Bovey

Installation view: Corps ou âme, Gowen Contemporary, Geneva, 2019. Works by Claude Cortinovis

Claude Cortinovis, Les lutteurs (où je me scinde et me frappe) #1, 10.07.1994, silver print on Baryta paper, mounted on aluminum, 30 x 23.5 cm, Edition of 5

Claude Cortinovis, Les lutteurs (où je me scinde et me frappe) #3, 10.04.1995, silver print on Baryta paper, mounted on aluminum, 30 x 23.5 cm, Edition of 5

Installation view: Corps ou âme, Gowen Contemporary, Geneva, 2019

Don McCullin, Shell Shocked Marine, Vietnam Hue, 1968, gelatin silver print, 152 x 103 cm / ©Don McCullin, courtesy Hamiltons Gallery, London